Poems in the shape of paintings

With a history of cultural iconoclasm, the Arab region has become a fertile ground for abstract art. Yet Arab artists remain marginal in the global conversation of modern abstraction. An ambitious project initiated by the Barjeel Art Foundation seeks to issue a long overdue corrective. Taking Shape: Abstraction from the Arab World, 1950s–1980s, slated to… Continue reading Poems in the shape of paintings

122 Rue du temple, 1968

122 Rue du temple, 1968 Jacques Villeglé torn-and-pasted printed paper on canvas 62 5/8 x 82 3/4" (159.2 x 210.3 cm) Museum of Modern Art  The words of French crime novelist Leo Malet comes to mind every time I encounter a work by Jacques Villegle: “The collage of the future will be done without scissors,… Continue reading 122 Rue du temple, 1968

Throw Away Day

A new documentary on the life and work of abstract expressionism's invisible man, Clyfford Still and the quest to reclaim one of his paintings in an auction at the Sotheby's Contemporary Evening Sale A few minutes after four and the day slipped into darkness, signalling stagehands at the Sotheby’s Contemporary Art Evening Sale to finalize… Continue reading Throw Away Day

A Tale of Two Modernisms

Mira Schendel (Brazilian, born Switzerland. 1919–1988) Untitled. 1964. Oil and tempera on composition board and wood, 57 7/8 × 44 7/8 × 13/16″ (147 × 114 × 2 cm). The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Andrea and José Olympio… Continue reading A Tale of Two Modernisms

Documents of Dissent

 „Freiheit ist immer die Freiheit des Andersdenkenden""Freedom is always, and exclusively, freedom for dissenters.” ― Rosa Luxemburg Minerva Cuevas at Videobrasil Photo: Contemporary Art Daily The artistic practice of Minerva Cuevas invests on the motif of dissent against the powers that be. She has collected material on public resistance in Mexico City for over a… Continue reading Documents of Dissent

Defacement painting as memorial

The Guggenheim exhibition has achieved for Basquiat's Defacement (1983) a level of relevance achieved by few paintings: a memorial to violence with potency to comment on our current social crisis. Jean-Michel Basquiat – Defacement (The Death of Michael Stewart), 1983. Photograph: Allison Chipak/Collection of Nina Clemente, New York Picasso’s Guernica and Goya’s Third of May… Continue reading Defacement painting as memorial

The show everyone loves to hate

Short review of the Whitney Biennale The Whitney Biennale is a show everyone loves to hate. A general discontent directed towards important exhibitions hangs over any appreciation of individual works. As in, what else can art do to change the world? In a show where most visitors spend less than a minute on average to… Continue reading The show everyone loves to hate