Category: Portraits
-
Damian Domingo, Girl with a puppy, 1833
I would not describe Damián Domingo’s Niña con perrito [Girl with a puppy, a miniature poodle] as a discovery in the strict sense. The ivory miniature was already known by at least 2012, when it appeared in Madrid’s Museo del Romanticismo records on children’s portrait miniatures. To my knowledge, however, it has received little or…
-
Rafael, A Story in Portraits
I returned to Vicente Rafael’s essay on photography after learning of his passing on February 21, 2026. Professor Rafael, as I continued to call him even after knowing him for years, was seventy. Our conversations became more regular after I began graduate studies at Cornell, where he had also studied in the early 1980s. I…
-
From the Archive: A New Direction in Filipino Art
Orginally published in Philippine Review, Volume II (Issue No. 6) August 1944 This article by Galo B. Ocampo may be read as a rare document of Philippine modernism in the visual arts under Japanese occupation. It records, from within, a moment that has largely escaped art historiography: that the cause of modernism did not stall during…
-
Antonio Garcia Llamas (1912–1999)
Antonio Garcia y Llamas (1912–1999) was a Filipino painter, muralist, and teacher who worked between Manila, Jakarta, and Madrid. Little is written about Garcia but his work aligns with the Philippine academic tradition in twentieth-century Philippine painting. He was born in Manila on 16 May 1912 and received his early education at the Colegio de…
-
Manila Beans in a Medici Recipe Book
When I visited Florence over the summer, I was surprised by how many Filipinos I met. Some were priests. Others ran restaurants or worked as artists. Hearing Tagalog in Tuscan streets made me think about older connections between Manila and Europe. I began wondering how Manila was imagined by the rest of the world during…
-
Mga Bilanggong Birhen (1977), an Amorsolo-Pastoral in Film
Mga Bilanggong Birhen (1977) is set on a Visayan hacienda during the early years of American colonial administration. The film follows the Sagrada family—Felipa, Juan, Doña Sagrada, and the daughters Celina and Milagros—within a household that retains social structures established during the late Spanish period. Throughout the film, the architecture of the ancestral home, its…
-
Manton de Manila
The mantón de Manila became one of the most recognizable textiles in nineteenth-century Spain, and Juan Luna’s Mujer con mantón de Manila (c. 1880s) offers a precise record of its material qualities and its use in urban fashion. The painting shows a woman standing outdoors, wrapped in a large silk embroidered shawl. Its cream ground,…
Geronimo Cristobal 