Tag: irineo miranda
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Mga Bilanggong Birhen (1977), an Amorsolo-Pastoral in Film
Mga Bilanggong Birhen (1977) is set on a Visayan hacienda during the early years of American colonial administration. The film follows the Sagrada family—Felipa, Juan, Doña Sagrada, and the daughters Celina and Milagros—within a household that retains social structures established during the late Spanish period. Throughout the film, the architecture of the ancestral home, its…
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Irineo Miranda’s Ethnographic Portrait of Nina Rasul and the Philippine Bangsamoro
My article, “Irineo Miranda’s Ethnographic Portrait of Nina Rasul and the Philippine Bangsamoro,” is now out in the latest issue of Philippine Studies: Historical and Ethnographic Viewpoints (Vol. 73, No. 1, pp. 3–43). This piece revisits Miranda’s 20th-century illustrations through the lens of colonial ethnography, visual anthropology, and Bangsamoro history, tracing how his portrait of…