Crash Landing on You (Lee Jeong-hyo, 2020)

Over the spring break I was able to catch up with trends on social media and watched smash-hit K-drama Crash Landing on You (CLOY), a Netflix series directed by Lee Jeong-hyo, starring Hyun Bin, Son Ye-jin, Kim Jung-hyun, and Seo Ji-hye. The hilarious plot begins with Seri, a South Korean chaebol heiress and influencer (think… Continue reading Crash Landing on You (Lee Jeong-hyo, 2020)

Villem Flusser on Artistic Freedom

With his statements in Towards a Philosophy of Photography, Vilém Flusser opened a new understanding of photography, and gave the term a new meaning. While he describes the photograph as a “flyer-like image distributed by the apparatus,” the Photographer for Flusser was a critic; a gadfly: “a person who attempts to place within the image,… Continue reading Villem Flusser on Artistic Freedom

Outlaws (Javier Cercas, 2014)

The fifty-eight-year-old Javier Cercas made his latest breakthrough outside of Spain with his novel "Anatomy of a Moment", which the most important Spanish daily newspaper "El Pais" named Book of the Year in 2009. The well-known Argentinian author Albert Manguel had praised this novel, which revolves around the failed military coup in 1981. It received… Continue reading Outlaws (Javier Cercas, 2014)

The Freedom of the Migrant: Objections to Nationalism (Vilém Flusser, 2013)

Vilém Flusser, a philosopher and communication theorist born in Prague in 1920, spent most of his life in exile. In 1940 he reached London on the run from the Nazis, from there he went to São Paulo after only a short time to settle in France in the early 1970s. He never saw his native city of… Continue reading The Freedom of the Migrant: Objections to Nationalism (Vilém Flusser, 2013)

A Tale of Two Modernisms

Mira Schendel (Brazilian, born Switzerland. 1919–1988) Untitled. 1964. Oil and tempera on composition board and wood, 57 7/8 × 44 7/8 × 13/16″ (147 × 114 × 2 cm). The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Andrea and José Olympio… Continue reading A Tale of Two Modernisms

Viet Thanh Nguyen’s The Sympathizer (2015)

Viet Thanh Nguyen's novel begins The Sympathizer with a riddle “I am a spy, a sleeper, a spook, a man with two faces”. What is he? Might we ask. The line was spoken by a double agent working for the North Vietnamese Communists as well as for the United States during and shortly after the… Continue reading Viet Thanh Nguyen’s The Sympathizer (2015)

Midsommar (Ari Aster, 2019)

Ari Aster's debut feature Hereditary was celebrated as if one had reinvented slice bread. I was skeptical but he was someone who had something interesting to say. He was able to articulate that interesting thing in Midsommar. The horror genre was being reinvented; a good thing but its not slice bread. The promotion materials made… Continue reading Midsommar (Ari Aster, 2019)

Documents of Dissent

 „Freiheit ist immer die Freiheit des Andersdenkenden""Freedom is always, and exclusively, freedom for dissenters.” ― Rosa Luxemburg Minerva Cuevas at Videobrasil Photo: Contemporary Art Daily The artistic practice of Minerva Cuevas invests on the motif of dissent against the powers that be. She has collected material on public resistance in Mexico City for over a… Continue reading Documents of Dissent

Tales for winter nights

Reading some of Olga Tokarczuk greatest hits Polish author Olga Tokarczuk once compared her books to music videos. This analogy applies both to her collection of short stories and novels: They are self-contained, and the narratives are dense and short, so there is not even a moment of digression. The narratives vividly construct imaginative vignettes of ordinary… Continue reading Tales for winter nights