Marina Cruz, Laced-top, 2012, mixed-media assemblage, 37 in x 55 in
Immersed in the various conceptual layers offered by her mother’s collection of dresses, Marina Cruz conveys a series of related pictures as part of her process of representing the narratives weaved upon them, focusing on the discrepancies between visual and verbal references. Through her three-fold representations, Marina Cruz’s latest body of work alludes to the gaps between memory and representation; the envisioning moment towards the development of a painting in the manner in which Joseph Kosuth tackled the seminal conceptual work, One and Three Chairs.
The exhibition is a follow-up to Marina Cruz’s “foot-noted” paintings for the Ernst and Young ASEAN Art Outreach entitled The Connective Thread. She says the method was born out of her curiosity “to present what the wearer of the dress felt on their skin against what is seen on the outside.” “The difference between two appearances of the same thing,” she adds “defies a single formal understanding.” One dress can be represented in multiple ways, rendering the photograph and the dress painted on the canvas elusive to a strict definition. First used in her Unfold Series of 2008, the incorporated notes of her accounts and interviews about the dresses, suggests their value as story-tellers of the lives of people they once clothed. Composed uniformly like a photo-album, the works signal the combination the artists’ techniques of visual deconstruction. These works relate to the fragmented experiences in the lives of her twin mother and aunt, seldom associated with her art as a conscious process of recollection.
Marina Cruz was born in Hagonoy, Bulacan. She graduated cum laude from the University of the
Philippines College of Fine Arts and has since shown prominently in several exhibitions in Manila, New York, Beijing, Jakarta, Singapore, and Hongkong with the Drawing Room Gallery. Her first solo exhibition outside the country, The Connective Thread, for the Ernst and Young ASEAN Art Outreach Program was held in Singapore. In 2007, she won both the grand prize of the Philippine Art Awards and the Ateneo Art Awards which gave her the opportunity to attend a fellowship at La Trobe University’s Visual Arts Center in Bendigo, Australia. She was also awarded the Freeman Fellowship at the Vermont Studio Center in 2008. Her solo exhibition, Inside Out at Ben Cab Museum, will concurrently run with another exhibition, In the House of Memory, at MSAC- Taipei which will open on the 5th of May.
Marina Cruz: Inside Out
Gallery Indigo, BENCAB Museum,
Km. 6, Asin Road, Tuba,
Metro Baguio City, Philippines
April 21 – June 17, 2012
Opening: Friday, April 21, 2012, 4 – 6:30 PM