Tag: Photography
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On Visual Sovereignty
Tuscarora artist and scholar Jolene Rickard called for art historians to recognize the visualization of multiple systems of governance in studies which employ “indigenous methodology”.[1] The Art historian’s ability to “synthesize between multiple worldviews ” is indeed crucial in revisiting the role of images (in Rickard’s case, photographs) as a powerful tool of colonization. Demonstrating…
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Art writing needs to be activist
I find myself writing more frequently about photographs and writing about photographic exhibitions and the archive. Thinking about the photograph’s historical, theoretical, architectural, and urban contexts and attendant social issues became more insightful and rewarding in light of extended isolation from any art world experience. Time away from galleries and museums was good but I’m…
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Listening to Images
Campt, Tina, Listening to images. (Durham : Duke University Press, 2017) I found Tina Campt’s use of the term “vernacular photography” thematically apt. Though she never mentions it, the etymology of “vernacular” is linked to slavery. From the OED: “vernacular”, early 17th century: from Latin vernaculus ‘domestic, native’ (from verna ‘home-born slave’) + -ar.* Used in…
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Villem Flusser on Artistic Freedom
With his statements in Towards a Philosophy of Photography, Vilém Flusser opened a new understanding of photography, and gave the term a new meaning. While he describes the photograph as a “flyer-like image distributed by the apparatus,” the Photographer for Flusser was a critic; a gadfly: “a person who attempts to place within the image,…
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Jed Escueta: Valid Until Life
Valid Until Life Gallery 2, Light and Space Contemporary 53 Fairlane St., West Fairview, Quezon City, PH June 29 – 30 July 2013 Valid Until Life gathers the work of Jed Escueta who explores strategies of representation and narration in his photographs. Since starting out as a photographer, Escueta has used the camera to call…