Art writing needs to be activist

I find myself writing more frequently about photographs and writing about photographic exhibitions and the archive. Thinking about the photograph’s historical, theoretical, architectural, and urban contexts and attendant social issues became more insightful and rewarding in light of extended isolation from any art world experience. Time away from galleries and museums was good but I’m… Continue reading Art writing needs to be activist

Listening to Images

Campt, Tina, Listening to images. (Durham : Duke University Press, 2017) I found Tina Campt’s use of the term “vernacular photography” thematically apt. Though she never mentions it, the etymology of "vernacular" is linked to slavery. From the OED: "vernacular", early 17th century: from Latin vernaculus 'domestic, native' (from verna 'home-born slave') + -ar.* Used in… Continue reading Listening to Images

Villem Flusser on Artistic Freedom

With his statements in Towards a Philosophy of Photography, Vilém Flusser opened a new understanding of photography, and gave the term a new meaning. While he describes the photograph as a “flyer-like image distributed by the apparatus,” the Photographer for Flusser was a critic; a gadfly: “a person who attempts to place within the image,… Continue reading Villem Flusser on Artistic Freedom

Jed Escueta: Valid Until Life

Valid Until Life Gallery 2, Light and Space Contemporary 53 Fairlane St., West Fairview, Quezon City, PH June 29 – 30 July 2013 Valid Until Life gathers the work of Jed Escueta who explores strategies of representation and narration in his photographs. Since starting out as a photographer, Escueta has used the camera to call… Continue reading Jed Escueta: Valid Until Life