Heaven in a wildflower

Miguel Abreu Gallery’s first post-COVID quarantine exhibition pits painting versus photography. Brooklyn-based photographer Eileen Quinlan captures the nightmare of being marooned in isolation while Cheyney Thompson’s stenciled paintings complement the same sensibility by approximating the waves imprinted on driftwood. Quinlan’s snapshot of a wilderness glade, entitled Curtain Call, contemplates death and regeneration with an austere… Continue reading Heaven in a wildflower