Category: Photography
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Juan Luna’s French Orientalist Connection
For a long time, art historians have speculated about Juan Luna’s larger network of artists in Paris, including the extent to which he moved within the academic orbit of Jean-Léon Gérôme, the towering figure of French Orientalism. Gérôme’s pedagogical influence has often been inferred through stylistic parallels and early biographical testimony, yet documentary anchors have…
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Indios Bravos, 1888–1889
Between April 28 and May 16, 1888, during his continental journey across the United States, and again during the Paris Exposition Universelle of 1889, Rizal confronted two dramatically different representations of Indigenous Americans: one as commercial stereotype, the other as dignified performers. These encounters shaped what would become Indios Bravos, the fraternity founded by Rizal…
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La Perla de Lucban
This portrait, titled La Perla de Lucban (The Pearl of Lucban), is characteristic of the foto-óleo technique, where paint is applied directly onto a black-and-white photograph to bring depth and color to the subject. Created in 1891 by the Filipino artist Fabian de la Rosa, this piece captures Maria Isabel Nepomuceno de Ordoveza, who had…
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Grupos Filipinos Ilustres, 1911
Photo: Grupos Filipinos Ilustres, NCCA/ National Museum Collection This lithograph called Grupos Filipinos Ilustres by Guillermo Tolentino from 1911, created the National Pantheon according to historian Resil Mojares. It imagined heroes, intellectuals, artists, activists and politicians together in a studio portrait. It was a popular fixture in homes during the American occupation of the Philippines,…
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Archive Style (Robin Kelsey, 2007)
Timothy H. O’Sullivan (American, born Ireland, 1840–1882), Black Cañon, From Camp 8, Looking Above, 1871, Albumen silver print from glass negative, 20 x 28.1 cm (7 7/8 x 11 1/16 in. ) Photo: Public Domain/ Metropolitan Museum of New York Survey photographer Timothy H. O’Sullivan, is known for depicting the atrocities of the American Civil…
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The Case of Daniel Folkmar
This is a digest of Campomanes, Oscar V. “Images of Filipino Racialization in the Anthropological Laboratories of the American Empire: The Case of Daniel Folkmar.” PMLA 123, no. 5 (2008): 1692-699. Accessed November 3, 2020. http://www.jstor.org/stable/25501971 American Studies scholar Oscar Campomanes brought my attention to the work in physical anthropology of Daniel Folkmar (1861–1932). Like…
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From the Archive: Dean C. Worcester Photographic Collection
The counter-gaze in the Real Photo Postcard (RPPC) of an “Igorote group” “Igorote Group”, Photo: Dean Worcester Collection- No names provided Among the recently digitized photographs from the Dean C. Worcester Photographic Collection is an RPPC of a group of six young Igorots. Nothing much is written about the Igorots on the front or verso of…
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A decent photo of Montauk Point
Over the summer break, I visited Montauk Point on the easternmost end of Long Island and I was intrigued by the information written on a tourist pamphlet that lighthouses were the very first public works project undertaken by the United States. The lighthouse along with the one at Camp Henry, as pointed out in “Conjuring…
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Heaven in a wildflower
Miguel Abreu Gallery’s first post-COVID quarantine exhibition pits painting versus photography. Brooklyn-based photographer Eileen Quinlan captures the nightmare of being marooned in isolation while Cheyney Thompson’s stenciled paintings complement the same sensibility by approximating the waves imprinted on driftwood. Quinlan’s snapshot of a wilderness glade, entitled Curtain Call, contemplates death and regeneration with an austere…
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Villem Flusser on Artistic Freedom
With his statements in Towards a Philosophy of Photography, Vilém Flusser opened a new understanding of photography, and gave the term a new meaning. While he describes the photograph as a “flyer-like image distributed by the apparatus,” the Photographer for Flusser was a critic; a gadfly: “a person who attempts to place within the image,…
Geronimo Cristobal 