Geronimo Cristobal

Category: Paintings

  • The Tormented Square

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    Kazimir Malevich, Black Square, 1913. Kazimir Malevich was clear in his intentions to discover the “zero point” of painting; that is, painting that does not represent life outside its surface. He wanted to completely abandon depicting reality and instead invent a new world of shapes and forms. In his 1927 book The Non-Objective World, he…

  • Hooded Trauma

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    On the offensive figures of Philip Guston The decision by four major museums to delay the retrospective of painter Philip Guston has generated renewed interest in his controversial life. Perhaps because he is still often ranked with American abstract expressionist painters that many were flustered when museum directors deemed his images unfit for public consumption,…

  • Protected: The Furnace of Kings

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    There is no excerpt because this is a protected post.

  • Brief notes on Teddy Roosevelt’s statue being removed from the steps of the Museum of Natural History

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    In the New York Times today: the equestrian statue of Theodore Roosevelt, the former president of the United States who declared the end of the Philippine-American War in 1902, will be removed from the steps of the Museum of Natural History. The Museum maintains that it is removing the statue not because of Theodore Roosevelt’s…

  • Rage against the image

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      On the night of February 25, 1986, the Filipino people took to the streets to celebrate the downfall of the dictator Ferdinand Marcos. Around ten thousand protesters held a vigil to retake Malacanang, the presidential palace originally built by the Spaniards for the Governor-General of the former colony. The plaza which was once open…

  • The decollage we live in

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    It’s hard to explain, even to myself, why an artwork from more than fifty years ago can speak to our time without resorting to clichéd notions of the timelessness and universality of artistic language. I try to think of concrete experiences that can constitute a right mindset to write about Jacques Villegle, a Parisian artist…

  • Meaning over spectacle: Gerhard Richter retrospective online

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    The abrupt closing of Gerhard Richter’s retrospective at the Met Breuer, among other art world events in the wake of the COVID-19 pandemic has refocused the energies of its curators to use online platforms. While it serves its purpose well of extending the reach and lifespan of art exhibitions, the Met Museum’s website is not…

  • Protected: A heap of broken images

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  • Portrait of a lady on fire (Celine Sciamma, 2019)

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    Marianne must cross the rough seas when she is summoned by a countess (Valeria Golino) who would like to have a portrait of her daughter, Heloise. The portrait will be sent to Heloise’s fiancé, an Italian aristocrat, as a confirmation of their arranged marriage. Hoping to save their crumbling estate or move back to an…

  • Poems in the shape of paintings

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    With a history of cultural iconoclasm, the Arab region has become a fertile ground for abstract art. Yet Arab artists remain marginal in the global conversation of modern abstraction. An ambitious project initiated by the Barjeel Art Foundation seeks to issue a long overdue corrective. Taking Shape: Abstraction from the Arab World, 1950s–1980s, slated to…

  • 122 Rue du temple, 1968

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    122 Rue du temple, 1968 Jacques Villeglé torn-and-pasted printed paper on canvas 62 5/8 x 82 3/4″ (159.2 x 210.3 cm) Museum of Modern Art  The words of French crime novelist Leo Malet comes to mind every time I encounter a work by Jacques Villegle: “The collage of the future will be done without scissors,…

  • Throw Away Day

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    A new documentary on the life and work of abstract expressionism’s invisible man, Clyfford Still and the quest to reclaim one of his paintings in an auction at the Sotheby’s Contemporary Evening Sale A few minutes after four and the day slipped into darkness, signalling stagehands at the Sotheby’s Contemporary Art Evening Sale to finalize…

  • Defacement painting as memorial

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    The Guggenheim exhibition has achieved for Basquiat’s Defacement (1983) a level of relevance achieved by few paintings: a memorial to violence with potency to comment on our current social crisis. Picasso’s Guernica and Goya’s Third of May 1808 belong to a rare class of paintings that have the ability to draw emotions even from people…

  • The show everyone loves to hate

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    Short review of the Whitney Biennale The Whitney Biennale is a show everyone loves to hate. A general discontent directed towards important exhibitions hangs over any appreciation of individual works. As in, what else can art do to change the world? In a show where most visitors spend less than a minute on average to…

  • Lucas Arruda at David Zwirner

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    Lucas Arruda grapples with what its means to paint through tradition in his first solo exhibition in New York, ‘Deserto-Modelo’ Lucas Arruda, 36, mentioned in an interview with a Sao Paolo newspaper that his paintings are inspired by myths and tales. This maybe understood in the context of a pedestrian comparison to Mark Rothko or…

  • North Atlantic White

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    A color walk piece inspired by William Burroughs. Originally written for Emmanuel Iduma’s class on narrative criticism. One similarity that struck me with Burroughs and a Filipino painter named Juan Luna is that they both killed their wives. In Luna it was the heat of passion and jealousy but for Burroughs it was the blur…

  • Romero Barragan: Beyond Representation

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    Traces of the everyday On the surface of the series Destinations, a red line on the black-and-white copy of a city map runs through several streets on the bottom right. Which city is it? Is this the documentation of a mental walk or was the path actually taken? If yes, in a rush or during a leisurely…

  • Borlonganesque

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    Elmer Borlongan’s Extraordinary Eye for the Ordinary Elmer Borlongan’s mid-career retrospective held on his 50th birthday at the Metropolitan Museum of Manila establishes him as the essential post-EDSA artist: an artist painting in the veristic sociocritical vein of the 90s, but who, with the downfall of the Marcoses, finds himself with no one to rebel…

  • La Mujer Filipina allegedly by Felix Hidalgo

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    Some doubts have been casts on the authenticity of a Felix Hidalgo painting which was sold by auction recently. FÉLIX RESURRECCIÓN HIDALGO Y PADILLA (Filipinas, 1855 – España, 1913). “Nativa Filipina”. Óleo sobre lienzo. The most common misgivings are that the painting did not seem to conform to the fashion style of the period when…

  • Laura Owens at the Whitney Museum

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    There are manifold levels in the work of the American artist Laura Owens. For more than twenty years, the 47-year-old has been experimenting with the genre of painting, always with a claim to explore what is visually and creatively possible, to transcend the boundaries of the known, both in form and in content. Laura Owens…

  • Manton de Manila

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    The mantón de Manila became one of the most recognizable textiles in nineteenth-century Spain, and Juan Luna’s Mujer con mantón de Manila (c. 1880s) offers a precise record of its material qualities and its use in urban fashion. The painting shows a woman standing outdoors, wrapped in a large silk embroidered shawl. Its cream ground,…

  • We have nothing to add to this world

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      Above: A folded photograph by Romero Barragan The story of Romero Barragan (1942–2014), an avant-gardist painter and sculptor who fell into obscurity after the Marcos regime, and his journey to redefine an artistic practice that sought to obliterate the divisions of life and art. One can perceive the 1980s in Philippine art as a…