Geronimo Cristobal

Category: Paintings

  • Edades and the fabricated history of his Armory Show conversion to Modern Art

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    Nicola Kanmany John’s dissertation has critically examined the narrative surrounding the Filipino artist Victorio Edades’s Armory Show conversion to Modern Art. Edades is often regarded as the “father of Philippine modernism” and Kanmany John’s findings challenges the claim that a Seattle exhibition inspired by the 1913 Armory Show of New York fundamentally shifted Edades’ artistic…

  • Pearl of the Orient: The Philippines in Shell (2007)

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    Cariño, José Maria A., and Sonia P. Ner. Pearl of the Orient: The Philippines in a Shell. Manila: Arts Mundi Philippinae, 2007. In Pearl of the Orient: The Philippines in Shell (2007), co-authors Sonia P. Ner and Jose Maria “Jomari” Cariño bring to light an overlooked medium of 19th-century Philippine art—paintings and carvings on Pinctada…

  • Talking trees

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    The image of Alexander (Iskandar) encountering the wondrous talking tree in the Shahnama is a fascinating blend of myth, prophecy, and fantastical imagery. In this particular folio from the Great Mongol Shahnama, the tree takes on an even more vivid character under the hand of the Ilkhanid artist, who expands on Firdawsi’s original vision with…

  • La Perla de Lucban

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    This portrait, titled La Perla de Lucban (The Pearl of Lucban), is characteristic of the foto-óleo technique, where paint is applied directly onto a black-and-white photograph to bring depth and color to the subject. Created in 1891 by the Filipino artist Fabian de la Rosa, this piece captures Maria Isabel Nepomuceno de Ordoveza, who had…

  • The Ottoman Influence in Vermeer’s Girl with a Pearl Earring

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    This brilliant short visual essay on Things that Talk has resurrected a forgotten facet of one of Western art’s most iconic pieces, Vermeer’s Girl with a Pearl earring. Most standard scholarship does not mention this except in a brief mention in Encyclopedia Brittanica and an indirect reference to Dutch trade in the far east in…

  • Damian Domingo’s portrait: A note on materiality

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    Fig. 1 Damian Domingo, self-portrait, gouache on oval-shaped ivory sheet, 6.1 cm x 4.8 cm, 1826. Source: Ayala Museum.  What is known of Domingo’s physical appearance comes from a miniature painted on an ivory sheet in 1826, which is also the oldest known self-portrait made in the Philippines. All catalogs and previous scholarship on the…

  • Less is More

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    Unknown Flemish artist, Triumph of Fortitude, ca. 1535 Fine Arts Museums of San Francisco In explaining how his practice of writing history operates, historian Carlo Ginzburg turns to architect Mies van der Rohe’s adage: “Less is more.”[1] He explains his method using the metaphor of the dilation of a camera lens: “By knowing less, by…

  • Rodel Tapaya/ Three Paintings for Macao Biennale

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    Dogs have figured in Rodel Tapaya’s works since his first foray into visually translating the myths and legends of the Philippines. From Donsadat and the Magic Dog (2009) to Cane of Kabunian, numbered but cannot be counted (2011), man’s best friend is depicted as the vicar of divine representation and an intermediary between man and…

  • A Habit of Shores: Seni and Seafaring in Dunia Melayu

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    I am presenting seemingly unrelated variables to tell the story of the SEA and the various shores on which they meet the land. It has been a convention now to present an outline of the presentation and I do so not only to give a semblance of cohesiveness but to trigger your imagination. Warning: We…

  • Rama Hari

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    In November 2017, the Times of India published a story about Prime Minister Narendra Modi applauding a ballet performance based on the Ramayana during the opening of the ASEAN Summit in Manila. According to Modi, the event which was attended by Donald Trump, Shinzo Abe, Joko Widodo, and Rodrigo Duterte among many others, shows India…

  • The Ignorant Schulmeister and his Armchair Revolution

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    This essay is a preliminary examination of the artistic pedagogy of Josef Albers mainly using his encounter with Constancio Bernardo, his student at Yale School of Art in the 1950s, as a case study. After being mentored by Albers, Bernardo made the earliest examples of modern abstract painting in Southeast Asia. Drawing from Jacques Ranciere’s…

  • Bauhaus in the Boondocks: Ideas for an Epilogue

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    Or stuff that won’t make the cut in my MFA Research Project at the School of Visual Arts in NYC I intend to follow some leads from Jacques Rancière’s Politics and Aesthetics (Verso, 2003) and his more specifically art critical Aisthesis: Scenes from the Aesthetic Regime of Art (Verso, 2013) in writing about the pedagogical…

  • Three Painters from Bandung

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    Tondi Hasibuan Overly rigid attempts at comparisons to Picasso do not do justice to Tondi Hasibuan’s incredibly multifaceted work. The stylistic caesuras are too abrupt. Forms reminiscent of Picasso’s late period pieces are given a new lease on life with reinventions from the fund of the artists imagination. A Fine Arts Professor, Tondi Hasibuan’s ambivalent…

  • The Myth of a Degree Zero Moment

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    Degree Zero at MoMA provides counterpoints to the understanding of drawing’s role in post-war art. Gathering 75 works, made between 1948 and 1966, from Louise Bourgeois, Yayoi Kusama, Henri Matisse, Jackson Pollock, Alfredo Volpi, and many others, as well as recent acquisitions by artists such as Uche Okeke, the exhibition freshly examines the commonly perceived…

  • The Tormented Square

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    Kazimir Malevich, Black Square, 1913. Kazimir Malevich was clear in his intentions to discover the “zero point” of painting; that is, painting that does not represent life outside its surface. He wanted to completely abandon depicting reality and instead invent a new world of shapes and forms. In his 1927 book The Non-Objective World, he…

  • Hooded Trauma

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    On the offensive figures of Philip Guston The decision by four major museums to delay the retrospective of painter Philip Guston has generated renewed interest in his controversial life. Perhaps because he is still often ranked with American abstract expressionist painters that many were flustered when museum directors deemed his images unfit for public consumption,…

  • Protected: The Furnace of Kings

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    There is no excerpt because this is a protected post.

  • Brief notes on Teddy Roosevelt’s statue being removed from the steps of the Museum of Natural History

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    In the New York Times today: the equestrian statue of Theodore Roosevelt, the former president of the United States who declared the end of the Philippine-American War in 1902, will be removed from the steps of the Museum of Natural History. The Museum maintains that it is removing the statue not because of Theodore Roosevelt’s…

  • Rage against the image

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      On the night of February 25, 1986, the Filipino people took to the streets to celebrate the downfall of the dictator Ferdinand Marcos. Around ten thousand protesters held a vigil to retake Malacanang, the presidential palace originally built by the Spaniards for the Governor-General of the former colony. The plaza which was once open…

  • The decollage we live in

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    It’s hard to explain, even to myself, why an artwork from more than fifty years ago can speak to our time without resorting to clichéd notions of the timelessness and universality of artistic language. I try to think of concrete experiences that can constitute a right mindset to write about Jacques Villegle, a Parisian artist…

  • Meaning over spectacle: Gerhard Richter retrospective online

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    The abrupt closing of Gerhard Richter’s retrospective at the Met Breuer, among other art world events in the wake of the COVID-19 pandemic has refocused the energies of its curators to use online platforms. While it serves its purpose well of extending the reach and lifespan of art exhibitions, the Met Museum’s website is not…

  • Protected: A heap of broken images

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    There is no excerpt because this is a protected post.

  • Portrait of a lady on fire (Celine Sciamma, 2019)

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    Marianne must cross the rough seas when she is summoned by a countess (Valeria Golino) who would like to have a portrait of her daughter, Heloise. The portrait will be sent to Heloise’s fiancé, an Italian aristocrat, as a confirmation of their arranged marriage. Hoping to save their crumbling estate or move back to an…

  • Poems in the shape of paintings

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    With a history of cultural iconoclasm, the Arab region has become a fertile ground for abstract art. Yet Arab artists remain marginal in the global conversation of modern abstraction. An ambitious project initiated by the Barjeel Art Foundation seeks to issue a long overdue corrective. Taking Shape: Abstraction from the Arab World, 1950s–1980s, slated to…

  • 122 Rue du temple, 1968

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    122 Rue du temple, 1968 Jacques Villeglé torn-and-pasted printed paper on canvas 62 5/8 x 82 3/4″ (159.2 x 210.3 cm) Museum of Modern Art  The words of French crime novelist Leo Malet comes to mind every time I encounter a work by Jacques Villegle: “The collage of the future will be done without scissors,…

  • Throw Away Day

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    A new documentary on the life and work of abstract expressionism’s invisible man, Clyfford Still and the quest to reclaim one of his paintings in an auction at the Sotheby’s Contemporary Evening Sale A few minutes after four and the day slipped into darkness, signalling stagehands at the Sotheby’s Contemporary Art Evening Sale to finalize…

  • Defacement painting as memorial

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    The Guggenheim exhibition has achieved for Basquiat’s Defacement (1983) a level of relevance achieved by few paintings: a memorial to violence with potency to comment on our current social crisis. Picasso’s Guernica and Goya’s Third of May 1808 belong to a rare class of paintings that have the ability to draw emotions even from people…

  • The show everyone loves to hate

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    Short review of the Whitney Biennale The Whitney Biennale is a show everyone loves to hate. A general discontent directed towards important exhibitions hangs over any appreciation of individual works. As in, what else can art do to change the world? In a show where most visitors spend less than a minute on average to…

  • Lucas Arruda at David Zwirner

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    Lucas Arruda grapples with what its means to paint through tradition in his first solo exhibition in New York, ‘Deserto-Modelo’ Lucas Arruda, 36, mentioned in an interview with a Sao Paolo newspaper that his paintings are inspired by myths and tales. This maybe understood in the context of a pedestrian comparison to Mark Rothko or…

  • North Atlantic White

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    A color walk piece inspired by William Burroughs. Originally written for Emmanuel Iduma’s class on narrative criticism. One similarity that struck me with Burroughs and a Filipino painter named Juan Luna is that they both killed their wives. In Luna it was the heat of passion and jealousy but for Burroughs it was the blur…