Category: Essay
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On Artist Interviews
Originally titled “Remaining in conversation,” this is a short introduction to the interview section of Holding Everything Dear (SVA, 2021). The artist interview in Western art has its roots in the dialogue tradition exemplified by Francisco de Hollanda’s Da pintura antigua (1548) and Lodovico Dolce’s Dialogo della Pittura (1557), both of which are important sources…
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The Case of Daniel Folkmar
This is a digest of Campomanes, Oscar V. “Images of Filipino Racialization in the Anthropological Laboratories of the American Empire: The Case of Daniel Folkmar.” PMLA 123, no. 5 (2008): 1692-699. Accessed November 3, 2020. http://www.jstor.org/stable/25501971 American Studies scholar Oscar Campomanes brought my attention to the work in physical anthropology of Daniel Folkmar (1861–1932). Like…
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Holding Everything Dear (2021)
Wrote a short section introduction to Holding Everything Dear (2021), a compilation of selected writings from Degree Critical edited by Jessica Holmes, Lune Ames, and Cigdem Asatekin. Foreword by David Levi Strauss and afterword by Nancy Princenthal. https://drive.google.com/file/d/1dgVMcIXx29uHVCT3DV6Z5vLEH-8l4d_T/view
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Perpetual Motion on Broadcast
My recent piece on tragedy and displacement in the work of Katsushika Hokusai, Constancio Bernardo, and Josef Albers on Broadcast by Pioneer Works. https://pioneerworks.org/broadcast/perpetual-motion-geronimo-cristobal
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The Ignorant Schulmeister and his Armchair Revolution
This essay is a preliminary examination of the artistic pedagogy of Josef Albers mainly using his encounter with Constancio Bernardo, his student at Yale School of Art in the 1950s, as a case study. After being mentored by Albers, Bernardo made the earliest examples of modern abstract painting in Southeast Asia. Drawing from Jacques Ranciere’s…
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Blues Legacies and Black Feminism by Angela Davis
Covering subjects outside the mainstream of early twentieth century swing and jazz music, the blues point to more than one kind of voice involved in the act of telling. Angela Davis suggests a multiplicity and fluidity prohibited by the homogenizing structuring of narration and community in mainstream music.[1] Through her transcription and analysis of the…
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Manifest Domesticity
Amy Kaplan posits that the domestic space exists as a malleable third realm between the nation and the foreign.[1] Among the variables that shape the “domestic” are the modes of domestication, rhetorics of family, and femininity. Amy Kaplan uses the concept to examine literary discourses that “use images of women and domesticity to obscure or…
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“Jennifer’s Butt” by Frances Negrón-Muntaner
Frances Negrón-Muntaner talks about the way both Selena’s and Jennifer Lopez’s rear ends are viewed by fellow audiences under circumstances that feared the racialized body before popular culture decided that a massive gluteus was cinematically desirable.[1] Latin-American teenagers perceived the uncanny doubling of Selena and Jennifer Lopez as tethered to their somatic features; a unique…
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The trouble with digitizing archives
There are several methods to organize documents. One of them asks what a document means; whether it is true, authentic or forged; whether it can be understood as a trace of an event that can be used for its reconstruction. Another method does not seek to interpret the document, but to arrange, organize, and add…
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Keywords: Visual and Archive
In her book “Artful Science,” Barbara Maria Stafford, Professor of Art History at the University of Chicago, examines entertainment and educational materials to see how the visual component changed in the “long eighteenth century,” which she defines as the era of the Baroque to the Romantic period. In relation to the current state of the…
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Resistant Spectatorship
Manthia Diawara’s critique of black characters in D.W. Griffin’s Birth of a Nation and Eddie Murphy’s cop movies serves as a template for further examination on the racist depictions in mass media of the African-American male. In considering some Hollywood productions, Diawara makes a case for the problematic ‘identification’ between the black (male) spectator and…
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Protected: The Autonomy of Art and the 20th century Bend Towards Abstraction
There is no excerpt because this is a protected post.
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Burke’s Sublime and the Beautiful
Edmund Burke’s contrast of the beautiful and the sublime had some political consequences. In the short article below, I make an argument for the particular political importance of the aesthetic quality called “beauty,” despite its devaluation in art criticism in the last several decades. The idea that the sublime moves us more profoundly than the…
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Sudden Death (Alvaro Enrigue, 2016)
A duel between Caravaggio and Quevedo, or how a tennis match connects worlds. Since when did people actually play tennis? And since when have tennis shoes been around, today the most socially acceptable and most widespread footwear worldwide? And how did you make the balls? The Mexican author Álvaro Enrigue, born 1969 in Guadalajara, México,…
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Protected: A Thread out of the Labyrinth
There is no excerpt because this is a protected post.
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The Myth of a Degree Zero Moment
Degree Zero at MoMA provides counterpoints to the understanding of drawing’s role in post-war art. Gathering 75 works, made between 1948 and 1966, from Louise Bourgeois, Yayoi Kusama, Henri Matisse, Jackson Pollock, Alfredo Volpi, and many others, as well as recent acquisitions by artists such as Uche Okeke, the exhibition freshly examines the commonly perceived…
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The Tormented Square
Kazimir Malevich, Black Square, 1913. Kazimir Malevich was clear in his intentions to discover the “zero point” of painting; that is, painting that does not represent life outside its surface. He wanted to completely abandon depicting reality and instead invent a new world of shapes and forms. In his 1927 book The Non-Objective World, he…
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The Waves
I first saw The Great Wave off Kanagawa by Katasushika Hokusai (1760–1849) ten years ago during his first retrospective in Europe at Berlin’s Martin-Gropius-Bau. I had to line up early on closing day to see an exhibition that was always packed. I saw the print again this year at the Metropolitan Museum of Art in…
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The Metamorphosis of Narcissus as a Great Artist
on Karl Ove Knausgaard’s profile of Anselm Kiefer I first saw Anselm Kiefer’s artwork as an art student in Berlin nine years ago. It was the same fighter plane made from sheets of lead described by Karl Ove Knaussgard in his New York Times article published last February 2020. Exhibited inside the Hamburger Bahnhof, the…
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Social Documents
A question of authenticity links the cases presented by Nicole Fleetwood, Leigh Raiford, and Sally Stein. They all compare and contrast photographers against their subject or with other photographers to emphasize the power of documentary interventions and mishaps in shaping perception for a particular milieu. Dorothea Lange’s “Migrant Mother” has been argued to be authentic…
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Pushing against the roof of the world: ruangrupa’s prospects for documenta fifteen
My latest article about ruangrupa on Third Text:http://thirdtext.org/cristobal-ruangrupa “A concern in many texts of Indonesian mythology is the need to raise the sky. This appears in myths from elsewhere, too, but the forms they take are not as extreme as in Indonesian stories, in which heaven and Earth are so closely jammed together that even…
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The Manila Syndrome
Filipino labor importation and US Cold War Diplomacy A month after New York went into COVID-19 lockdown, one of my boyhood friends, a Filipino nurse now working in the US, sent me a special report by Aljazeera which reveals the staggering high attrition rate of Filipino nurses in the frontlines of the battle. “Keep me…
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Notes on not publishing a book from a really extremist ultra-leftist
Guy Debord’s Biography in 45 Notes Think of how your book would look if you published a book. If it looks anything like any other book, do not publish that book. If by some reason you think of a book that has never been done before then caution yourself from thinking about what that book…
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Visual echoes
How many ways has photography changed our view of nature and how has our overwhelming dependence on photography impacted our ability to experience nature and our efforts to preserve it? Robin Kelsey offers a trenchant critique: we relish the view of nature more than nature itself; photographs have “obscured the process by which land becomes…
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A decent photo of Montauk Point
Over the summer break, I visited Montauk Point on the easternmost end of Long Island and I was intrigued by the information written on a tourist pamphlet that lighthouses were the very first public works project undertaken by the United States. The lighthouse along with the one at Camp Henry, as pointed out in “Conjuring…
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Art writing needs to be activist
I find myself writing more frequently about photographs and writing about photographic exhibitions and the archive. Thinking about the photograph’s historical, theoretical, architectural, and urban contexts and attendant social issues became more insightful and rewarding in light of extended isolation from any art world experience. Time away from galleries and museums was good but I’m…
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Blindness and reflection
I recall Aristotle’s De Anima in Geoffrey Batchen’s article about his thrift store locket. A commercial photographic material, the locket was once deemed lacking in “intellectual and aesthetic qualities beyond sentimental kitsch,” thus making it unfit for purposes of official history (33). The invisibility of such low-cultural objects to institutional analysis nonetheless paved the way…
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Listening to Images
Campt, Tina, Listening to images. (Durham : Duke University Press, 2017) I found Tina Campt’s use of the term “vernacular photography” thematically apt. Though she never mentions it, the etymology of “vernacular” is linked to slavery. From the OED: “vernacular”, early 17th century: from Latin vernaculus ‘domestic, native’ (from verna ‘home-born slave’) + -ar.* Used in…
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From the Secret Files of American History
A response to Black Reconstruction in America (1935) by W.E.B Du Bois There are significant parallels between the events following the American Civil War and our current political situation. Does this mean that history is repeating itself in some momentous way or is it just a case of the same old shit happening all along?…
Geronimo Cristobal 